Elvis Presley
Elvis Presley – The Romantic
(#113)
Erscheinungsdatum:
Label: Time Life Music
Kommentare:
Hinzugefügt am: 28.06.2021
Elvis Presley
Elvis Presley – The Romantic
(#113)
Genre: Rock'N'Roll
Disks: 2
Elvis Presley
Elvis' Golden Records
(#114)
Erscheinungsdatum: 1985
Label: RCA
Kommentare:
Hinzugefügt am: 28.06.2021
Elvis Presley
Elvis' Golden Records
(#114)
Genre: Rock & Roll, Rhythm & Blues
Disks: 1
Zusammenfassung: Made in Germany
© 1958 RCA Records
This is the second CD edition of the Elvis’ Golden Records album, but the first print from Germany, as the first edition was manufactured in Japan. The disc is stock with silver and black printing and was released in May 1985.
Restored to Original Mono, digitally remastered.
Jewel case with 12-page booklet.
Distributed by
Belgique / Belgie : RCA S.A.
Deutschland : RCA Shalplatten GmbH
France : RCA S.A.
Italia : RCA S.p.A
Nederland : RCA B.V.
UK : RCA Ltd.
Elvis Presley
Elvis' Golden Records Vol. 2 - 50,000,000 Elvis Fans Can't Be Wrong
(#115)
Erscheinungsdatum:
Label: RCA
Kommentare:
Hinzugefügt am: 28.06.2021
Elvis Presley
Elvis' Golden Records Vol. 2 - 50,000,000 Elvis Fans Can't Be Wrong
(#115)
Genre: Rock'N'Roll
Länge: 30:41
Disks: 1
Produzent: Steve Sholes
Zusammenfassung: Elvis' Gold Records, Volume 2, also known as 50,000,000 Elvis Fans Can't Be Wrong, is the ninth album by American singer and musician Elvis Presley, issued by RCA Victor in November 1959. It is a compilation of hit singles released in 1958 and 1959 by Presley, from recording sessions going back as far as February 1957.
The title of this album is shown on the original record's labels as "Elvis' Gold Records, Vol. 2," with a comma and an abbreviation of "Volume", but on the jacket, it appears as "Elvis' Gold Records — Volume 2". The phrase "50,000,000 Elvis Fans Can't Be Wrong" does not appear on the labels of any of the original records, and it is the title of the records—not the jacket—that is usually given preference when conflicting titles appear on albums. Therefore, the phrase was not part of the original title of the album. It was from 1959 through 1961; beginning no later than 1962, RCA Victor added "50,000,000 Elvis Fans Can't Be Wrong" to the labels of a few mono records and to the newly released "electronically reprocessed stereo" records. The boasting on the label appears nearly exclusively on records from RCA Victor's Hollywood pressing plant; copies pressed at the other plants tended to use the proper title only. It remained there for several years, but by 1968, it was removed from the labels and was not found on any records for years, but then it was added (again), this time to the CD releases of this album, where it has stayed.
"Elvis' Gold Records, Vol. 2" peaked at number 31 on the Billboard Top Pop Albums chart.[1] It was certified by the Recording Industry Association of America (RIAA) for a Gold Record Award (based on $1,000,000 in wholesale sales) on November 1, 1966. It was certified for a Platinum Record Award for sales of one million copies in the US on March 27, 1992.
Elvis' Gold Records, Vol. 2 consists of both sides of five singles released during 1958 and 1959. Two sides made number 1 on the Billboard Hot 100, and six others reached the Top 10. In the 1950s, a Gold Record awarded to a single required certified sales of one million copies in the United States. This is different from the definition in use since the 1990s, when a Gold Record for a single was reduced to sales of 500,000 units.
In 1984, RCA reissued the original 10 track album on compact disc in reprocessed (fake) stereo sound. This issue was quickly withdrawn and the disc was reissued in original monophonic. RCA reissued the album again in 1997 in a 20 track expanded edition, adding one A-side ("Hard Headed Woman") and one B-side ("Playing For Keeps"), along with tracks from top-selling EPs (e.g., "Peace In The Valley"). Several of those EP tracks were hit singles in other countries, notably the UK (i.e., "Santa Bring My Baby Back To Me"). The bonus tracks are interspersed within the original tracks, with the running order to the album substantially altered.
The unified Billboard Hot 100 singles chart was not created until August, 1958. Chart positions for records (below) prior to this date were taken from the magazine's "Best Sellers in Stores" chart. In some cases, the early measurement of success of rock and roll records also came from the "Most Played on Jukeboxes" chart. Chart positions (below) for the bonus tracks on the CDs were taken from the peak position that the EP album achieved on Billboard's then extant EP chart (1957–60).
The blurb "50,000,000 Elvis Fans Can't Be Wrong" that became an on-and-off part of the album's title originated with a one-page article titled "Can Fifty Million Americans Be Wrong" by Les Brown that appeared in the September 19, 1956, issue of Down Beat magazine. The article was an unfavorable look at Elvis and his fans, with Brown bemoaning the lack of appreciation of the "fine talents" of Jeri Southern, Dick Haymes, and "other serious vocal artists." The article concludes, "The educational responsibility seems to fall mainly on the disc jockey, who still has the greatest proximity to, and the greatest influence over, the record-buying public. Fifty million Americans can easily be misled."[15].
The expression containing the number of fifty million itself, may be a direct reference to the hit song of 1927, "Fifty Million Frenchmen Can't Be Wrong", by Willie Raskin, Billy Rose, and Fred Fisher, most notably performed by Sophie Tucker. The song prompted the creation of a popular tag line about fifty million people being wrong. Methodist pastor J. Resler Shultz of Harrisburg, PA, used "Can fifty million Americans be wrong" as the title of a sermon in 1931. Articles with similar titles have appeared somewhat frequently since that time—some being about food, politics, or religion. It is also an estimate of the number of singles that Presley sold by late 1958. Steve Sholes, Elvis' producer, said, "Every record Elvis has ever made for us has sold over a million. Since January, 1956, we've sold 50 million Elvis Presley records in this country alone, not counting foreign sales or albums."
Gene Autry
The Essential Gene Autry 1933-1946
(#116)
Erscheinungsdatum: 1992
Label: Columbia
Kommentare:
Hinzugefügt am: 21.11.2020
Gene Autry
The Essential Gene Autry 1933-1946
(#116)
Genre: Country
Disks: 1
Bill Monroe
The Essential Bill Monroe & His Blue Grass Boys
(#117)
Erscheinungsdatum: 1992
Label: Sony
Kommentare: 2 CDs
Hinzugefügt am: 21.11.2020
Bill Monroe
The Essential Bill Monroe & His Blue Grass Boys
(#117)
Genre: Bluegrass
Disks: 2
Jim Reeves
The Essential Jim Reeves
(#118)
Erscheinungsdatum: 1995
Label: RCA
Kommentare:
Hinzugefügt am: 09.12.2020
Jim Reeves
The Essential Jim Reeves
(#118)
Genre: Country
Länge: 49:49
Disks: 1
Produzent: Anita Kerr (tracks: 10), Chet Atkins
Marty Robbins
The Essential Marty Robbins 1951-1982
(#119)
Erscheinungsdatum: 1991
Label: Sony
Kommentare: 2 CDs
Hinzugefügt am: 21.11.2020
Marty Robbins
The Essential Marty Robbins 1951-1982
(#119)
Genre: Country
Disks: 2
Roy Orbison
Essential: 70th Anniversary Edition
(#120)
Erscheinungsdatum: 2006
Label: Sony BMG
Kommentare: 2 CDs
Hinzugefügt am: 20.06.2021
Roy Orbison
Essential: 70th Anniversary Edition
(#120)
Genre: Balladen, Pop
Disks: 2
Various Artists
Eurovision Song Contest: Athen 2006
(#121)
Erscheinungsdatum: 2006
Label: CMC Entertainment
Kommentare:
Hinzugefügt am: 08.07.2022
Various Artists
Eurovision Song Contest: Athen 2006
(#121)
Genre: Pop
Disks: 1